Baltimore based soprano Caitlin Glastonbury is a freelance performer, storyteller, ensemble collaborator, and arts administrator. As a recitalist, Caitlin is passionate about featuring new music, especially by Nonbinary and Transgender composers. They frequently collaborate with current composers to commission, workshop, and premiere new works, and value opportunities to contribute to this creative process. In 2024, Caitlin commissioned and premiered Steven Naylor's weathering, a song cycle for soprano and piano, which sets texts from their personal journals. This past season, Caitlin presented a series of recitals, including works by Poulenc, Brahms, Saariaho, Rosśa Crean, Schumann, and Katherine Balch, including the premiere of Crean's unaccompanied song cycle, Grotesque. They joined the Peabody Institute Conductor's Orchestra under the instruction of Maestro Marin Alsop as the soprano soloist in Gustav Mahler's Symphony No. 4 and Johannes Brahms’s Ein Deutsches Requiem, and performed Norina’s aria from Gaetanno Donizetti’s Don Pasquale this spring.

Caitlin was a member of the 2025-26 cohort of TENET Vocal Artists Trailblazers mentorship program, and performed frequently with the Peabody Vocal Ensembles. They are a member of the professional core of the Emmanuel Choir and regularly substitute at churches in the DMV, including the Washington National Cathedral. Beyond performance, Caitlin is passionate about increasing access and equity in the arts through work in administration. They held administrative positions as the Aspen Opera Theatre and VocalARTS Scheduler for the Aspen Music Festival and School, Peer Career Coach and  Community Engagement Intern for the Peabody Institute's LAUNCHPad office, and the Peabody Institute's Vocal Ensemble Intern. Caitlin recently completed a Master’s degree in Vocal Performance and Pedagogy, studying with Tony Arnold at the Peabody Institute of Johns Hopkins University.